Hayes, John
The Art of Thomas Rowlandson

Rowlandson Drawings from the Paul Mellon Collection
Riely, John
Yale Center for British Art, New Haven, 1977.
In-4, broché sous couverture illustrée en couleur, xxiii-93 pp. - pl.
Avec 36 planches en noir et blanc et en couleur en hors texte.
Bon état.
Preface, by Edmund P. Pillsbury - Introduction, by John Riely - catalogue [120 n°] - Bibliography - Plates.
Ce catalogue a été édité à l'occasion de l'exposition Rowlandson Drawings from the Paul Mellon Collection présentée au Yale Center for British Art, New Haven, du 16 novembre 1977 au 15 janvier 1978, puis à la Royal Academy of Arts, London, du 4 mars au 21 mai 1978.
Although eighteenth-century England produced an unusually large and diverse group of competent draughtsmen, none was more accomplished or prolific than Thomas Rowlandson.
His exhuberant and flowing contours owe much to French, and particularly Rococo, art, but his handling of tone, with its carefully muted effects, and his accumulation of detail belong to an English tradition that begins at the time of Hogarth.